.
LECTURERS
| Robert
Aitken (Staatliche Hochschule für Musik, Freiburg, and New Music Concerts,
Toronto), Lutosławski as I knew him |
| Taylor
Brook (Columbia University), Neoclassicism in Lutosławski’s Double
Concerto |
| James
Harley (University of Guelph), Lutosławski as Mentor |
| Chris
Paul Harman (Schulich School of Music, McGill University), Strategies
of Instrumentation and Orchestration in Lutosławski’s Cello Concerto |
| Lisa
Jakelski (Eastman School of Music, University of Rochester), Witold
Lutosławski and the Ethics of Abstraction |
| Marcin
Krajewski (University of Warsaw), The Principle of Chromatic Density
in the Late Music of Witold Lutosławski |
| Stanisław
Krupowicz (Karol Lipiński Academy of Music in Wrocław), Witold Lutosławski
- An Algorithmic Music Composer? |
| Charles
Bodman Rae (Elder Conservatorium of Music, University of Adelaide),
The
Lutosławski Legacy |
| Duncan
Schouten (Schulich School of Music, McGill University), Centrifugal
and Centripetal Forces in Witold Lutosławski’s Chain 3 |
| Maja
Trochimczyk, Witold Lutosławski and musique concrete: The Technique
of Sound Planes and Its Sources |
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ORGANIZER:
WITH THE COOPERATION
OF:
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| Financial
support: Ministry of Culture and National Heritage programme "Lutoslawski
2013 Promesa" realised by The Institute of Music and Dance. |
Designed and
maintained by Polish Institute of Arts and Sciences in Canada |
